Broadcast & Media Lead (Part-Time)

ONE | A Potter’s House Church; Los Angeles (CA); On-site; USD 34,000 - 55,000; Full time

Job summary

ONE | A Potter’s House Church seeks a Broadcast & Media Lead to own the live broadcast and weekly video distribution, ensuring a high-quality online experience from live service execution through post-production, YouTube delivery, and media archiving.

The role oversees Sunday live broadcasts, trains volunteers, and manages media workflows across Frame.io and YouTube, with a focus on consistent standards and timely deliverables.

Qualifications

• Familiarity with Blackmagic Design production equipment and live switching workflows.
• Experience operating or directing multi-camera productions using Canon C300-series cameras.

Responsibilities

• Direct Sunday live broadcasts, including calling camera shots and overseeing the switching of live camera feeds.
• Lead and support camera operators, switcher operators, and broadcast volunteers during services.
• Monitor livestream quality and respond to broadcast issues during services.
• Maintain consistent broadcast standards for camera composition, shot selection, pacing, and execution.
• Coordinate with the AVL Systems Lead when technical issues affect the broadcast.
• Edit the weekly sermon video for YouTube and deliver the completed edit by Sunday at 9:00 PM.
• Edit and prepare the RESI service recording for distribution.
• Export and upload final video content to designated platforms.
• Manage service video archives, file organization, and media storage, including Frame.io and other designated platforms.
• Maintain consistent file naming and media organization practices.

Skills

Blackmagic design workflows

Canon C300-series

Frame.io

Tools

Frame.io

Job description

The Broadcast & Media Lead owns the live broadcast and weekly video distribution for ONE, ensuring a consistent, high-quality online experience from live service execution through post-production, YouTube delivery, and media archiving.

Responsibilities

Live Broadcast

• Direct Sunday live broadcasts, including calling camera shots and overseeing the switching of live camera feeds.

• Lead and support camera operators, switcher operators, and broadcast volunteers during services.

• Monitor livestream quality and respond to broadcast issues during services.

• Maintain consistent broadcast standards for camera composition, shot selection, pacing, and execution.

• Coordinate with the AVL Systems Lead when technical issues affect the broadcast.

Post-Production & Media

• Edit the weekly sermon video for YouTube and deliver the completed edit by Sunday at 9:00 PM.

• Edit and prepare the RESI service recording for distribution.

• Export and upload final video content to designated platforms.

• Manage service video archives, file organization, and media storage, including Frame.io and other designated platforms.

• Maintain consistent file naming and media organization practices.

Volunteer Development

• Train and develop camera, switching, and broadcast lead volunteers.

• Provide ongoing feedback and coaching to strengthen broadcast quality and volunteer confidence.

• Lead one to two volunteer broadcast workshops per month, typically on Saturdays.

Service & Event Preparation

• Prepare broadcast workflows and media needs for Sunday services and special events.

• Participate in Saturday rehearsals as needed, based on service and production requirements.

• Support broadcast execution for special services and events, with advance notice provided whenever possible.

• Identify opportunities to improve broadcast quality, workflow, and the overall online viewer experience.

Qualifications

• Familiarity with Blackmagic Design production equipment and live switching workflows.

• Experience operating or directing multi-camera productions using Canon C300-series cameras.

Key Ownership

Live broadcast execution, broadcast volunteer development, YouTube video production, media archiving, and post-service video workflow.

Schedule & Availability

This is a non-exempt, hourly position. All hours actually worked, including live broadcasts, post-production, volunteer training, rehearsals, and special events, are compensated at the applicable hourly rate.

• Sundays: Required for weekly services.

• One weekday: Remote post-production/archiving day (specific day coordinated with supervisor).

• Saturdays: One to two Saturdays per month for rehearsals, volunteer workshops, or production preparation, scheduled in advance.

• Special Events: Required as needed, with advance notice provided whenever possible.

• Additional hours may be scheduled based on production needs and special events; all hours worked are compensated.