Get more replies from employers
Send a job-specific resume in minutes.
The Cinematography Studio Instructional Assistant at Boston University’s College of Communication supports hands-on cinematography classes in Studio 518. You will assist with grip/electric setup, lighting, rigging, and demonstrations under the instructor of record, helping students learn safe production practices.
This temporary, part-time role is non-benefit-eligible and requires readiness to work with scheduled class blocks (approx. 24 hours per week). Prior studio experience is preferred.
The Cinematography Studio Instructional Assistant is a part-time academic support role assigned to scheduled cinematography classes in Studio 518. The role supports the instructor of record during hands-on class activities by assisting with grip/electric setup, safe equipment handling, lighting support, rigging support, demonstrations, troubleshooting, and class-time resets. The focus is faculty-led instruction and student learning during scheduled class periods.
Monday 10:10 AM - 2:10 PM Class coverage rounded to 4 hours 4.0 hrs
Tuesday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Wednesday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Thursday 9:30 AM - 5:30 PM Starts with morning class; 8-hour cap 8.0 hrs
Friday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Proposed shift total is approximately 24.0 hours per week. Sub-4-hour class blocks are rounded to 4 hours. Thursday is capped at 8 hours. The Thursday shift covers the full morning class, the break, and the first 3 hours of the afternoon class. Existing studio support covers the final 45 minutes.
This is a temporary part-time, non-benefit-eligible position.
Experience / Skills
The Cinematography Studio Instructional Assistant is a part-time academic support role assigned to scheduled cinematography classes in Studio 518. The role supports the instructor of record during hands-on class activities by assisting with grip/electric setup, safe equipment handling, lighting support, rigging support, demonstrations, troubleshooting, and class-time resets. The focus is faculty-led instruction and student learning during scheduled class periods.
Monday 10:10 AM - 2:10 PM Class coverage rounded to 4 hours 4.0 hrs
Tuesday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Wednesday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Thursday 9:30 AM - 5:30 PM Starts with morning class; 8-hour cap 8.0 hrs
Friday 2:30 PM - 6:30 PM Class coverage rounded to 4 hours 4.0 hrs
Proposed shift total is approximately 24.0 hours per week. Sub-4-hour class blocks are rounded to 4 hours. Thursday is capped at 8 hours. The Thursday shift covers the full morning class, the break, and the first 3 hours of the afternoon class. Existing studio support covers the final 45 minutes.
This is a temporary part-time, non-benefit-eligible position.
Candidate Profile
The ideal candidate has professional grip/electric experience and the ability to safely support hands-on cinematography instruction. This person should be comfortable in an active studio classroom, able to reinforce safe production practices, and able to assist faculty and students during demonstrations and exercises without serving as the instructor of record.
Key Responsibilities
Qualifications and Experience
Bachelor's degree or equivalent professional experience in film, television, media production, cinematography, or a related field. The candidate must have hands-on grip/electric experience and working knowledge of professional studio production practices, including lighting, rigging, power distribution, stands, Chapman, Fisher and Matthews dollies, sliders, jibs, track systems, and large modifiers. Prior professional production experience as a dolly grip, grip/electric, electrician, gaffer, key grip, or best boy is essential. If called in for an interview, the candidate will be asked to disassemble and reassemble the Chapman Peewee dolly in different configurations.
Experience in higher education or another student-facing instructional environment is preferred. The candidate should be comfortable supporting faculty-led instruction, assisting students during hands-on cinematography exercises, reinforcing safe studio practices, and troubleshooting grip/electric setups during scheduled class periods.
Required Skills
Working Conditions
This position works in an active studio/classroom environment. Work is hands-on and occurs primarily during scheduled cinematography classes. The role requires standing for extended periods, moving safely through active class and studio environments, and handling grip/electric equipment, lighting fixtures, stands, modifiers, rigging hardware, cabling, dollies, jibs, and track systems.
The candidate must have good eyesight, manual dexterity, spatial awareness, and the ability to lift, carry, push, pull, and position heavy production equipment. The candidate must be comfortable working around high-output lighting, electrical distribution, overhead rigging, ladders, and large modifiers. Ability to lift to 70 lbs is required. Hours are tied to scheduled class coverage and may vary by semester.
About College of Communication, Boston University
Among the Best Universities for Film and Television
The BU College of Communication is regularly ranked among the best universities for film and TV. Our award-winning film and TV degree program faculty have experience writing, producing, and directing work for networks from Netflix to Disney. Our alumni hold prestigious roles at companies and production houses like NBCUniversal and VICE Media, creating a network that spans all the way from Boston to LA and around the world.
"BU COM is among the best universities for film according to the Hollywood Reporter, Variety, TheWrap, and more for 2024"