Remote Dialogue Audio Editor for Post-Production Mastery

Meridial

United States

Remote

USD 20,664 - 41,328

Part time

14 days+
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Job summary

Meridial is seeking an experienced Audio Editor to prepare and clean spoken-word audio for post-production. This role requires proficiency in iZotope RX and Pro Tools, with a strong emphasis on critical listening skills and attention to detail.

As a remote contractor, you will work independently to deliver high-quality audio for various projects, collaborating with technical teams to address audio engineering challenges. A degree in a related field is preferred, along with at least 3 years of relevant experience.

Qualifications

  • Minimum 3+ years of professional experience in dialogue editing and sound post‑production.
  • Excellent critical listening skills to identify mic changes, clipped dialogue, and noise masking issues.
  • Ability to work independently and deliver consistent, broadcast-ready dialogue.

Responsibilities

  • Prepare, clean, and optimize spoken‑word audio for post‑production delivery.
  • Diagnose, flag, & edit audio to required specifications for various clients.
  • Engage with technical teams for audio engineering questions and improvements.

Skills

Dialogue editing
iZotope RX
Avid Pro Tools
Critical listening skills
Time management
Attention to detail
Collaboration skills

Education

Bachelor’s or master’s degree in Audio Engineering, Music Production, Acoustics, or related field

Tools

iZotope RX
Avid Pro Tools

Job description

Meridial is seeking an experienced Audio Editor to prepare and clean spoken-word audio for post-production. This role requires proficiency in iZotope RX and Pro Tools, with a strong emphasis on critical listening skills and attention to detail.

As a remote contractor, you will work independently to deliver high-quality audio for various projects, collaborating with technical teams to address audio engineering challenges. A degree in a related field is preferred, along with at least 3 years of relevant experience.

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