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L'European Commission recherche un chercheur postdoctoral pour le projet P-VALUES. Le poste implique d'analyser les perceptions de la performance musicale à travers des entretiens avec le public assistent aux récitals de piano classiques. Ce rôle polyvalent offre l'opportunité d'explorer des valeurs d'authenticité et de créativité dans la musique.
Organisation/Company CNRS Department Sciences et Technologies de la Musique et du Son Research Field Philosophy Researcher Profile First Stage Researcher (R1) Country France Application Deadline 5 Jul 2025 - 23:59 (UTC) Type of Contract Temporary Job Status Full-time Hours Per Week 35 Offer Starting Date 15 Sep 2025 Is the job funded through the EU Research Framework Programme? Not funded by a EU programme Is the Job related to staff position within a Research Infrastructure? No
Performance is at the heart of the Western classical music tradition. Yet we know very little about how today's classical music audiences view the practice of performance and the values that generally underly it (fidelity, authenticity, creativity, etc.). The aim of the P-VALUES project is precisely to probe these representations in greater detail, in association with the Sciences et Technologies de la Musique et du Son laboratory (CNRS-IRCAM) and the Cité de la Musique - Philharmonie de Paris, and by combining the methods of experimental philosophy and the sociology of music.
As part of the P-VALUES project, the post-doctoral fellow will conduct a series of semi-directed individual interviews with a group of subscribers to the Philharmonie de Paris, focusing in particular on the public who attend classical piano recitals. The interviews will aim both to uncover the values attached to the act of performance (see for example Antoine Hennion's work on the pragmatics of taste; or Nathalie Heinich's work on the sociology of values), and to draw on the respondents' listening culture to collect a number of concrete examples of performance involving one (or more) normative conflicts.
The post-doctoral fellow will be attached to the Analyse des Pratiques Musicales team at Ircam, and will work under the supervision of Clément Canonne (Director of Research at CNRS).
The postdoctoral fellow is expected to have expertise in the sociology of music (or art in general) and/or the musicology of performance.