On Call Head Audio

Young World Physical Education

Phoenix (AZ)

On-site

USD 41,328

Part time

14 days+

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Job summary

A community arts center in Phoenix seeks an On Call Head Audio to manage audio needs for various events. This role involves overseeing sound setup, compliance with safety protocols, and supporting production staff. Candidates should have 1-2 years of live audio mixing experience, familiarity with professional software, and the ability to work effectively under pressure. The position is on a substitute basis, and the starting pay is $30.00/hour. Interested applicants should contact the Technical Director.

Qualifications

1-2 years experience of live audio mixing.
Ability to work closely and creatively with design teams.
Experience with both audio and video network setup.

Responsibilities

Coordinate sound setup, operation, and troubleshooting.
Manage and maintain venue's audio systems.
Lead in preparing and installing audio equipment.

Skills

Live audio mixing experience

Experience with Qlab and TheatreMix

Proficiency with Yamaha Digital consoles

Knowledge of Dante networks

Troubleshooting skills

Ability to multitask

Professional communication

Technical paperwork proficiency

Tools

Yamaha Digital consoles

Dante Controller

Shure ULXD

Job description

On Call Head Audio

Madison Elementary School District Madison Center For the Arts - Phoenix, Arizona

Job ID: 5289142

Application Deadline: Posted until filled

Posted: Jul 16, 2025 12:00 AM (UTC)

Starting Date: Immediately

Job Description

Position Title: On Call Head Audio

Length of Work Year: On Call/Substitute

Salary Information: $30.00/hour

Department: Madison Center for the Arts

Supervision: Supervised by Technical Director

Reports To: Stage Manager, Technical Director and Lighting Designer

This position is an on-call, activated on a show‑by‑show basis.

Overview: The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.

Qualifications

1-2 years experience of live audio mixing.
Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
Professional experience with Yamaha Digital consoles.
Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred).
Experience with and working knowledge of live entertainment multi projector systems and programming.
Experience with both Audio and Video system network setup and troubleshooting.
Experience with Shure ULXD, and Wireless Workbench a plus.
Ability to work closely with people in a professional and positive manner.
Ability to work closely and creatively with design teams, directors, and other members of the staff.
Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
Ability to multitask while maintaining productivity.
Ability to remain levelheaded in high‑stress environments.
Ability to troubleshoot under pressure and remain composed.
Ability to work independently and meet deadlines.

Responsibilities

Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
Ensure compliance with safety protocols and industry best practices.
Serve as the primary audio contact for the event or show.
Assist with event load‑in, setup, operation, and load‑out.
Manage and maintain the venue's audio systems and equipment.
Troubleshoot and resolve technical issues efficiently under time‑sensitive conditions.
Supervise and mentor the audio team.
Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
Review sound plots to evaluate feasibility and implementation in The Madison.
Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set‑up, i.e. tables, headsets, and video monitors, god mic, etc.
Collaborate to produce show‑related audio paperwork.
Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
Adhere to the proper shut‑down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.