Senior Video Editor & Post-Production Lead | Liviti

St Trinity Property Group

Philippines

Remote

PHP 600,000 - 820,000

Full time

6 days ago
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Job summary

Wonder Group, Liviti is seeking a Senior Video Editor to own the quality bar for property-focused content made for Australian audiences. This remote role requires guiding editors, setting a grading standard, and ensuring every cut aligns with brand and compliance constraints.

You will work closely with the Sydney team, lead a remote workflow, and manage the end-to-end pipeline from brief to delivery while maintaining high production value.

Qualifications

  • 4+ years editing, including leading, training or reviewing other editors.
  • Real colour grading with before/after examples.
  • Masking and compositing: rotoscoping, keying, tracking, cleanup.
  • Short-form craft: hooks, pacing, retention, captions, sound.
  • Commercial literacy: read briefs and target audience.
  • Strong written English; feedback is primarily written.
  • Availability for Philippine day shift.

Responsibilities

  • Own the standard: build style guide, grading look, hook library, quality checklist within 30 days.
  • Review every piece before publish; provide written notes tied to timeline.
  • Decide what ships; the editor has authority to return work.
  • Cut high-impact pieces: campaigns, founder/spokesperson pieces, explainers.
  • Grade footage for consistency across brands and cameras.
  • Improve retention: hook, pacing, captions, sound to look credible.
  • Lead the remote team of editors; uplift grading, masking, pacing, hook craft.
  • Own pipeline from brief to delivery: intake, versioning, reviews, storage, archive.
  • Collaborate with Sydney team; ensure execution meets brief and compliance.

Skills

4+ years editing
Color grading
Masking & compositing
Short-form craft
Commercial literacy
Written English
Philippines day shift
Compliance mindset

Tools

Frame.io
LucidLink
Shade.io
Resilio
Zoho Projects
ClickUp
Notion
Monday

Job description

Hours: Day Shift, Monday to Friday, weekends off

ROLE OVERVIEW

Company: Wonder Group, Liviti

Location: Remote (Philippines)

Type: Full time

Hours: Day Shift, Monday to Friday, weekends off

We are looking for a Senior Video Editor who can own the standard, not just meet it, on content that has to make Australian property investment land in 15 seconds and be measured on enquiries rather than reach.

Liviti operates in Australian residential property investment and wealth creation. The audience is people trying to build a portfolio: first-time investors, upgraders, SMSF buyers, and the mortgage brokers and accountants around them.

Our competitive set is loud and good at this. Freedom Property Investors, Search Party Property, InvestorKit, Henderson Advocacy, AllianceCorp and The Property Investors Alliance. You should already know their video output and have a view on where it is weak.

We have editors. What we do not have is someone whose job is to decide whether a cut is good enough and to say precisely why it is not. That is this role. You still cut, and you also own the bar.

WHAT YOU WILL DO

Own the standard

  • Within your first 30 days, build what is missing: a video style guide, a grading look our editors apply consistently, a hook library drawn from our own best-performing posts, and a quality checklist an editor runs before submitting
  • Review every piece of video before it publishes. Give notes in writing, against the timeline, specific enough to act on without a call
  • Decide what ships. You have the authority to send work back

Cut the work that matters

  • Personally edit the pieces carrying the most commercial weight: campaign assets, founder and spokesperson pieces, suburb and market explainers
  • Grade properly. Property footage is shot in mixed light by different people on different cameras and has to look like one brand
  • Build for retention. Hook, pacing, captions, sound. This audience is being asked to consider a purchase worth hundreds of thousands of dollars, so the work has to look credible, not cheap

Lead the editors

  • Lead our remote team of editors. Lift their grading, masking, pacing and hook craft through review, example and training, not by quietly re-cutting their work
  • Own the pipeline from brief to delivery: intake, versioning, review rounds, approvals, asset storage and archive. We are choosing this stack now and you will help pick it

Work with the Sydney team

  • Work daily with our Social Media Manager in Sydney. She owns what the content is for, being the brief, the brand and the commercial goal. You own whether the execution is good enough
  • Work inside Australian general advice boundaries. No personal financial advice, DISCLAIMERS where required, and figures substantiated before publication. This constrains what a video can say and you need to be comfortable with that
WHAT YOU NEED
  • 4+ years editing, including time leading, training or reviewing other editors. Be ready to describe how someone else's work changed because of you
  • Real colour grading, not presets. Show us log footage before and after
  • Masking and compositing: rotoscoping, keying, tracking, clean-up
  • Short-form craft: hooks, pacing, retention, captions, sound. You can explain why a specific opening works rather than just copying one
  • Commercial literacy. You read a brief and can say what the video is for and who it is aimed at. Performance or campaign work, not only personal projects
  • Strong written English. Most of your feedback will be read, not heard. This is a core requirement of the role
  • Availability on a Philippine day shift. The market we write for moves during the day, so this is a day-shift role by design rather than a night-shift one
  • Willingness to work inside compliance constraints rather than around them
NICE TO HAVE
  • Australian or international property, finance or real estate content experience
  • Motion graphics and After Effects depth, particularly data and figure animation
  • Experience with Frame.io, LucidLink, Shade.io, Resilio, Zoho Projects, ClickUp, Notion or Monday. Almost nobody in this market has the media-specific tools, so we will teach you ours. Tell us what you have actually used to move files and collect feedback
  • AI-assisted editing workflows
  • Experience filming as well as editing

This is a remote position.

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