Studio Camera Operator – Craft Dynamic Shots Onsite

Univision communications inc; Florida; In loco; USD 55.000 - 75.000; Tempo pieno

Vantaggi offerti da questo lavoro

PTO

Tuition reimbursement

Wellness programs

401K and life insurance

Descrizione del lavoro

TelevisaUnivision seeks a Camera Operator for on-site production operations. You will build, operate, and maintain studio cameras, ensuring smooth movements and adherence to the rundown.

You will set up and balance equipment, control zoom and focus, and contribute creatively to shot composition. Role requires 3–5 years in a broadcast setting, technical proficiency with pedestals and studio cameras, physical ability to lift gear, and willingness to work flexible hours including nights and

Competenze

• Bachelor’s degree in television production or equivalent work experience.
• 3–5 years of experience in a control room broadcast facility.
• Bi-lingual (English and Spanish) preferred.
• Experience with Vinten studio pedestals, balancing and maintenance.
• Experience with studio config cameras and peripherals, building and troubleshooting.

Mansioni

• Create smooth, fluid camera movements to enhance production value.
• Pan, tilt, and truck camera through spaces.
• Set up, balance, troubleshoot, and maintain cameras and equipment.
• Control zoom and focus of lenses.
• Follow a rundown and work as part of a team.
• Work safely to minimize injury and equipment damage.

Conoscenze

Team player

Bilingual EN/ES

On-call availability

Physical stamina

Adaptable under pressure

Formazione

Bachelor’s Degree in television production or equivalent

Strumenti

Vinten studio pedestals

Studio cameras

Box lenses & peripherals

Descrizione del lavoro

TelevisaUnivision seeks a Camera Operator for on-site production operations. You will build, operate, and maintain studio cameras, ensuring smooth movements and adherence to the rundown.

You will set up and balance equipment, control zoom and focus, and contribute creatively to shot composition. Role requires 3–5 years in a broadcast setting, technical proficiency with pedestals and studio cameras, physical ability to lift gear, and willingness to work flexible hours including nights and