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The Assistant Preparator at the Farnsworth Art Museum supports the installation of exhibitions, care of the permanent collection, and maintenance of the museum's historic houses. This on-site role works closely with Curatorial and Registration to assist with installations, artwork handling, collection care, and gallery maintenance.
The ideal candidate has experience in art handling, installation, basic carpentry, painting, matting and framing, gallery lighting, and safe operation of hand and
Assistant Preparator
Part-time: up to 28 hours/week
The Assistant Preparator at the Farnsworth Art Museum supports the installation of exhibitions, care of the permanent collection, and maintenance of the museum's historic houses. Reporting directly to the Preparator, the Assistant Preparator works closely with the Curatorial and Registration departments to assist with exhibition installations, artwork handling, collection care, and gallery maintenance. This position plays an important hands-on role in ensuring the safe movement, installation, packing, and storage of artworks while helping maintain museum facilities and exhibition spaces according to museum and American Alliance of Museums (AAM) best practices. The position is on-site and works collaboratively with Curatorial, Registration, Facilities, Security, Operations, and the Wyeth Study Center staff to support the successful execution of exhibitions, gallery rotations, and collection projects.
The ideal candidate has experience in art handling, exhibition installation, basic carpentry, painting, matting and framing, gallery lighting, and safe operation of hand and power tools. Success in this role requires strong organizational skills, attention to detail, flexibility, excellent communication skills, and the ability to work both independently and collaboratively in a fast-paced museum environment.
Founded as a bequest of Lucy Copeland Farnsworth, the Museum opened its doors in 1948 in Rockland, Maine, with a singular mission to celebrate Maine’s role in American art. The Farnsworth’s primary purpose is to be a repository for American art objects related to Maine and a resource for all, including local and state residents, as well as tourists visiting from throughout the United States and abroad.
Throughout the Museum’s history, it has championed the unique role that Maine plays in the larger story of American art. The Farnsworth’s collection of approximately 15,000 works focuses on American art from the 18th century to the present, in all media, with a special emphasis on artists with deep connections to Maine. From purchasing works by a young Andrew Wyeth–becoming the first museum to do so–to collecting pieces by pivotal Maine artists such as Fitz Henry Lane, George Bellows, Rockwell Kent, Lynne Drexler, Lois Dodd, Daniel Minter, Ann Craven, and Jeremy Frey, the Museum has and will continue to represent the excellence of the arts in Maine. We are also broadening and diversifying collections to more fully reflect the breadth of Maine artists working today and the interests of our growing and multicultural audience.
The Museum also cares for two historic properties: the Farnsworth Homestead, listed on the National Register of Historic Places in 1973, and the Olson House, joining the campus in 1991 and designated as a National Historic Landmark in 2011.
Welcoming approximately 75,000 visitors each year, the Farnsworth has a $58 million economic impact on the mid-coast and surrounding areas and has revitalized the creative capital of Rockland. It is the first art museum in Maine to receive accreditation by AAM.