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Ovation Rights in London is hiring a second product engineer to turn problems into usable software. You will own features from problem statement to production across several products, making interface decisions, and shipping with an AI-forward stack.
You’ll work directly with users, stakeholders, and a Head of Product & Technology, shipping polished, user-facing features end to end in a fast-paced, autonomous environment.
Build and own polished full-stack product features from problem definition through production. Responsibilities include making interface decisions, developing with Python, FastAPI, PostgreSQL, Next.js, and TypeScript, using AI and LLM tooling, modeling production data, writing SQL, safely changing live data, and working autonomously with users and stakeholders. The engineer will maintain quality, handle ambiguity, and deliver software for theatrical rights and royalty operations.
We're looking for a second product engineer — someone who can take a problem and turn it into something people use, without being managed through it.
You need to be a strong full-stack engineer who cares about how software feels to use. You need to be comfortable building solo — we have no dedicated design team, and you'll be making interface decisions as well as writing the code behind them.
With the pace AI tooling is moving, you're expected to stay current and build fast because of it. We use an agentic stack daily and expect you to as well.
This role sits at the intersection of engineering, interface and AI. You'd work alongside our Head of Product & Technology, who sets direction and still writes code — this isn't a role where you report to someone who left the tools behind. Beyond the two of you there's a data scientist and an outsourced data engineering team.
Ovation Rights is an independent custodian of theatrical rights. We acquire the rights and royalties in great theatrical works and look after them for the long term, backed by patient capital and deep industry experience.
It's an unusual place to be an engineer. The assets are plays and musical — some of them things you've seen, most of them things you'd recognise. The work is turning a business that has always run on relationships and paperwork into one that runs on good software.
We build our own products rather than buying them, and we're building several at once.
Python, FastAPI, Postgres, Next.js, TypeScript, and modern AI tooling throughout.
You don't need to know anything about theatre. We'll teach you the domain, and it's more interesting than you'd expect.
You'd own what you ship. You wouldn't own the roadmap - that sits with the Head of Product & Technology. If you're looking for a lead or Head of role, this isn't it.
There are two product engineers, including the person you'd report to. So you'd have someone who knows the codebase and can review your work, and not much else. There's nobody to hand the awkward bits to.
Weeks 1–2: ship something. Get set up, learn the products, put something small into production. Flag the things you don't trust yet — new eyes catch what we've stopped seeing.
Weeks 3–6: own a feature. Take something from problem to live, end to end, with the team using it.
Weeks 7–12: own an area. Pick up one product surface properly — the decisions inside it and the quality of what ships.
Ovation Rights is an equal opportunity employer. If you need any adjustments during the process, tell us, and we'll make them.