Broadcast IT Engineer (Part-Time, Onsite) – Production Systems

GCS Recruitment; Greater London; On-site; GBP 47,000 - 66,000; Part time

Job summary

GCS Recruitment is seeking a Broadcast Technology Engineer for 100% onsite work at Chiswick Business Park, West London. The role is part-time (Mon–Wed, 10:00–18:00) with a rate of GBP 41/hr Inside IR35.

You will bridge Broadcast and IT, supporting production systems and ensuring smooth broadcast and post-production operations. Responsibilities include supporting Adobe Premiere Pro and Avid Media Composer, maintaining Vantage, Glookast and Mimir, and guiding the migration from Avid to Premiere

Qualifications

• Hands-on Adobe Premiere Pro support experience.
• Avid Media Composer experience.
• Previous Broadcast / Post-Production Support experience.
• Good understanding of media production workflows and technical infrastructure.

Responsibilities

• Providing technical support for Adobe Premiere Pro and Avid Media Composer.
• Supporting broadcast production systems such as Avid, Vantage, Glookast and Mimir.
• Planning and delivering system maintenance and upgrades.
• Supporting and automating media ingest workflows.
• Managing IP addresses and coordinating infrastructure upgrades.
• Troubleshooting production system issues and supporting editors and producers.
• Documenting technical processes, FAQs and common fixes.
• Supporting the transition from Avid to Adobe Premiere Pro.

Skills

Adobe Premiere Pro

Avid Media Composer

Broadcast / Post-Production Support

Tools

Mimir

Glookast

Vantage

Avid

Job description

GCS Recruitment is seeking a Broadcast Technology Engineer for 100% onsite work at Chiswick Business Park, West London. The role is part-time (Mon–Wed, 10:00–18:00) with a rate of GBP 41/hr Inside IR35.

You will bridge Broadcast and IT, supporting production systems and ensuring smooth broadcast and post-production operations. Responsibilities include supporting Adobe Premiere Pro and Avid Media Composer, maintaining Vantage, Glookast and Mimir, and guiding the migration from Avid to Premiere