Film Editor - Fully Remote

Mercor

Toronto

Remote

CAD 34,000 - 55,000

Full time

3 days ago
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Job summary

Mercor in Toronto, Ontario is assembling a panel of professional video editors to build post-production tasks used to train AI agents. You will contribute original footage, author briefs, and produce reference edits.

Candidates should have 5+ years of professional editing in film/TV, be fluent in at least one editor (Premiere Pro, DaVinci Resolve, Final Cut Pro, Avid), and be comfortable with delivery specs. A strong library of owned footage is a big plus.

Qualifications

  • 5+ years editing professionally in film, TV, commercials, or creator/social production.
  • Fluent in at least one professional editor, including basic color and audio cleanup.
  • Comfortable with delivery specs: resolution, frame rate, codecs, audio channel layouts, and frame-accurate cuts.
  • Owns or can source original footage with releases from on-camera subjects.

Responsibilities

  • Contribute original footage you shot or sourced openly and author realistic editing briefs.
  • Build each task end to end in your editing software: cut, insert defects or distractors as needed, and produce the reference edit.
  • Write the grading criteria—concrete, checkable standards with the rationale behind them.
  • Blind-solve tasks created by other editors and document the step-by-step solution.

Skills

Editing experience
Color correction basics
Audio cleanup basics

Tools

Premiere Pro
DaVinci Resolve
Final Cut Pro
Avid Media Composer

Job description

About the work

Mercor is assembling a panel of professional video editors to build post-production tasks used to train and evaluate AI agents. Each task gives an AI agent what you'd hand a junior editor: source footage, a brief, and a deliverable spec, plus a hidden answer key or rubric so the finished video can be scored on the result, not on a text answer.


You will:



  • Contribute original footage you shot and fully own (or source openly licensed footage) and author realistic editing briefs from it.

  • Build each task end to end in your own editing software: cut, introduce defects or distractors where the task calls for them, and produce the reference edit a correct result is judged against.

  • Write the grading criteria — concrete, checkable standards with the editorial reasoning behind them.

  • Blind-solve tasks built by other editors and write up a step-by-step solution.


Background we're looking for


  • 5+ years editing professionally in film and TV, commercials, broadcast news, or creator and social production, owning deliverables end to end.

  • Fluent in at least one professional editor (Premiere Pro, DaVinci Resolve, Final Cut Pro, Avid Media Composer), including basic color and audio cleanup.

  • Comfortable with delivery specs: resolution, frame rate, codecs, audio channel layouts and frame-accurate cuts.

  • Strong plus: a library of unpublished original footage you shot and fully own, with people on camera who will sign an appearance release. The more, the better.


Before you apply


  • Not open to residents of California.

  • Expect about 12 hours/week.

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