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Marketing Mojito, a full-stack digital marketing agency, seeks a Lead Cinematographer/DOP (Shoot + Edit) with 3+ years of experience. You’ll define the look and feel for our biggest brands, shaping lighting, color, and camera movement for high-gloss product reels and bold campaigns.
Operate high-end cameras (Sony FX series, Blackmagic), light scenes, and drive both video (80%) and photography (20%). Oversee post-production (Edit, Color Grading in DaVinci Resolve and Premiere) and guide gear
Lead Cinematographer/DOP (Shoot + Edit)
3+ Years
Marketing Mojito is a full-stack digital marketing agency built for business transformation. Here, you won’t be “just an employee.” You’ll build brands from scratch, run end-to-end campaigns, and watch your ideas go live. With our learning-first culture, you’ll pick up the skills that matter — strategy, performance, content, design and analytics, while owning real outcomes. Come for the challenge; stay for the growth.
At Marketing Mojito, we don’t do "corporate videos" with bad lighting and boring talking heads. We create visual experiences. We are looking for a Visual Lead (DOP) who is obsessed with lighting, framing, and color grading. You are a "Pro editor"—you shoot like a cinematographer and edit like a storyteller.
You will define the "Look and Feel" of our biggest brands. From high-gloss product commercials to gritty documentary-style reels, you will be the eye behind the lens.
You don't just execute; you conceptualize. You will decide the lighting mood, color palette, and camera movement for campaigns.
Operate high-end cameras (Sony FX series, Blackmagic, etc.). You know how to light a scene to make a ₹50k shoot look like a ₹5 Lakh shoot.
Handle both Video (80%) and high-end Photography (20%) for campaigns.
You aren't just handing off footage. You oversee the Edit, Color Grading (DaVinci/Premiere), and final output to ensure your vision stays intact.
You own the studio. You recommend what gear we buy/rent and ensure it's maintained.
You know exactly how to shape light using diffusers, negatives, and RGBs.
You can set up a 3-point lighting interview in 20 minutes, not 2 hours.
You understand that a TVC frame doesn't always work on a 9:16 mobile screen. You frame for both.
Proficient in Adobe Premiere Pro, Lightroom, and DaVinci Resolve.
We hate micromanagement. If you have a bold visual idea, we’ll fund it.
Shoot food, fashion, tech, and lifestyle. No two days are the same.
Build and lead your own production unit as we scale.
Note: If your reel is just travel montages, please don't apply. We want to see commercial/brand work.