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Donmar Warehouse is offering a year-long Resident Assistant Director position in London. The RAD will be embedded within the Artistic team, supporting rehearsals, casting and programming discussions, while developing artistic leadership skills in a leading producing theatre.
The role includes assisting on multiple productions, working closely with directors and actors of high calibre, and gaining insight into the theatre’s operations and strategy.
Application Deadline: 26 October 2026
Department: Artistic
Employment Type: Fixed Term - Full Time
Location: Donmar Warehouse Office
Reporting To: Associate Artistic Director
Compensation: GBP 30,900 / year
The Resident Assistant Director (RAD) is an opportunity for an outstanding theatre director in the early stages of their career to be embedded at the Donmar for a year. The RAD will develop extensive skills, craft, and knowledge around directing; from casting, in rehearsals, through to the running of shows, working with directors and actors of the highest calibre. The RAD will also experience and contribute to the workings of one of the UK's leading producing theatres and begin to cultivate skills as an artistic leader of the future.
The RAD scheme has been integral to the Donmar through its thirty four-year history. Former Resident Assistant Directors have gone on to become leading directors and artistic leaders.
Across the year, the RAD will spend the majority of their time assisting on productions. They will assist on a minimum of 4 shows. Primary duties include supporting the running of rehearsals, technical rehearsals and previews, and noting the show once it is running. They will balance their time with duties in the office as an integral part of the theatre staff. The RAD will sit in the Artistic Team. They will be involved in literary duties, casting duties, and will contribute to programming meetings. In addition, there is the opportunity to learn from a range of departments e.g. marketing, development, producing.
This is an intensive full-time training role so it will not be possible to be released to work on major freelance projects outside of the contract. However, it is possible to use leave days for smaller projects e.g. readings, workshops. The role does include the possibility of directing a one-week R&D on a small-scale project. We recognise that candidates may have other commitments and encourage you to discuss anything that might impact availability at interview.
We are looking for a passionate, ambitious, highly self-motivated and driven individual who thrives in a busy and fast-paced environment and who is interested in gaining a foundation in artistic leadership and the running of a building.
This is not an entry level position. The role is intended as a bridge from assistant roles to associate / staff directing roles and making your own work as a director.
The aim of the role is to give a rounded experience of the different component parts of a busy producing theatre and to give an introduction to the skills and considerations of artistic leadership.
Terms: 12 months, full time, fixed terms
This is not an exhaustive list of duties, and we may, at any time, allocate other tasks which are of a similar nature or level.
*NB - (For the purposes of this application we are defining a professional production as being a full-length piece performed by paid actors for a run of 2 weeks or more)
Enhanced holiday scheme with 25 days a year plus 8 Bank Holidays.
Annual Birthday leave.
6% employer pension contribution as part of the Donmar's stakeholder pension scheme.
Season ticket loan (travel)
Subsidised local gym membership
GBP 25 towards annual eye tests
Employee welfare programme
Cycle to work bike loan scheme
Discount at Donmar bar on food and drinks
Complimentary tickets to attend Donmar performances
Company Lunches twice per production
All staff training and professional development programme
We believe that representation matters; diversity of identity, of perspective and of lived experience enriches our work and our lives. We recognise that the Donmar and the wider theatre industry is not representative of contemporary society in terms of workforce, artists and audience. We particularly encourage applications from those who are currently under