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The British Museum invites a Project Curator to lead and direct research into early fire in the Palaeolithic as part of the Fire in Europe project. You will coordinate fieldwork at Breckland sites and guide post-excavation research, working with partners at QMUL and UCL and with European collaborators.
You will publish, present at international conferences, organise workshops, and contribute to public engagement, shaping new approaches to understanding fire evidence in Europe.
This is an opportunity to join the British Museum as Project Curator, undertaking and directing research into early fire in the Palaeolithic as part of the Fire in Europe project. You will lead fieldwork at key Breckland sites and develop post excavation research, working with project partners at Queen Mary University of London and University College London and with specialists and research colleagues across Europe.
Alongside developing the project's research programme, you will contribute to its academic and public impact through publications, international conferences, workshops and public engagement initiatives. The role combines fieldwork, collections and object research and international collaboration, offering the opportunity to help shape new approaches to understanding evidence for early fire in Europe.
You will have a PhD in Palaeolithic archaeology, with extensive knowledge of the field and significant experience in lithic analysis. You will bring practical experience of directing Palaeolithic excavations, undertaking post excavation research and working with Palaeolithic collections in a curatorial environment.
You will be confident managing field teams, research activity and budgets and working collaboratively with colleagues and specialists in the UK and internationally. You will also have postdoctoral research experience and a publication record in peer reviewed journals, with the ability to communicate your research effectively to both academic and public audiences.
The British Museum is undertaking its biggesttransformationsince its founding nearly 300 years ago. This physical and intellectual transformation includes large scale building and gallery transformation, new ways of connecting with audiences and different ways of working. As we look towards this exciting future, we remain guided by the words of our founder Hans Sloane - who dreamed of a museum connecting all arts and sciences, which would be accessible to everyone, everywhere.